CRISTALES: a world to discover. An exhibition for schools and universities
The exhibition CRISTALES: a world to discover is a teaching/outreach activity whose main goals are to increase awareness of the importance of crystallography and its role in everyday life in modern society, motivate young people, and promote education and research in crystallography. CRISTALES is designed to inspire the audience with a careful design and a view of crystallography that places the emphasis not only on the most important contributions of crystallography to society's welfare, including new materials and biomedical research, but also on those aspects of crystallography related to art and the mind. This article describes the simplest version of the exhibition, composed of 14 posters that have been created specifically for schools and universities. Each poster displays an image that is both aesthetically powerful and scientifically intriguing, so as to provoke the curiosity of the students. The posters also contain a brief text explaining the image and its relation to crystallography and a QR code that links the poster to a web page containing further information.
Educational and outreach activities in crystallography and crystallization are of paramount importance not only for their relevance to several fields of research and technology but also because they enable the development of transferable skills such as spatial perception and the practical resolution of complex problems. Paradoxically, instruction in crystallography is almost absent in the formal syllabuses of most countries at primary and secondary educational levels, which leads to a lack of general knowledge among the public (Fanwick, 2007). On the one hand, this is a major obstacle when trying to explain crystallography: for example, many people wrongly believe that a glass is the same as a crystal and, at best, that crystals are just minerals, gems and precious stones. On the other hand, there is an interesting opportunity to use this lack of knowledge of crystallography to our advantage and take the visitor by surprise by showing something totally new. That was the main idea behind the video spot Crystallography: discover what crystallography can do for you (http://www.iycr2014.org/about/video ) and this is, in turn, the basis behind the exhibition: The visitors will be confronted with images that they would never have thought of as crystallography related, thereby introducing a different world to which they were previously oblivious.
Different unconventional formats have been tried to support science teaching in schools, including multimedia applications with animated cartoons (Dalacosta et al., 2009), modelling structures (Cai et al., 2006), personal electronic response systems (Moss & Crowley, 2011) and augmented reality applications (Sommerauer & Müller, 2014). In particular, science exhibitions are especially important not only in terms of cultural heritage but also as an informal teaching channel. The popularization of science based on the blending of education and entertainment had already become quite relevant during the Victorian era in England thanks to the important role of scientists who worked together with museums and exhibitions (Lightman, 2013). More recently, science exhibitions have been recognized as dynamic information spaces for knowledge building, highlighting the potential use of advanced technologies to support communication between the visitor, the exhibition and the museum (Knipfer et al., 2009).
A large variety of high-quality exhibitions were created for the International Year of Crystallography (IYCr2104; http://www.iycr2014.org/events/exhibitions ). Most exhibitions made a journey through history in order to explain the relevance of crystallography-related discoveries (Amorós, 1978). For example, Platonic solids and quasicrystals – moments in the history of crystallography (University of Uppsala, Sweden) and Reflections: tales from within the crystal (http://www.chemistry.unimelb.edu.au/news/crystallography-exhibition-open-late-july ) showed a collection of scientific books, models of crystals and instruments; In the unusual world of crystals (http://www2.chemia.uj.edu.pl/krysztaly_wystawa/ ) and Kristalle – Kunstwerke der Natur (http://www.aufhebenswert.at/veranstaltungen/doppelausstellung-kristalle-kunstwerke-der-natur-trifft-keltische-kunst-heute ) highlighed the beauty of crystals together with the history of their investigations and their various applications; Nobel structures: celebrating crystallography (http://nobelstructures.wix.com/home ) aimed to raise awareness about the relevance that the main achievements of 29 Nobel Prizes have had; and Crystals: beauty, science, structure (http://blogs.mhs.ox.ac.uk/mhs/crystals-beauty-science-structure/ ) looked at the history of crystallography from an artistic point of view. Many other exhibitions intended to disseminate the importance of crystallography from a general perspective. For instance, Cristalli! (http://www.geoscienze.unipd.it/cristalli/welcome.html ), The Big Bang Fair (http://www.thebigbangfair.co.uk/ ), Crystallography for humankind (http://xtal.dq.fct.unl.pt/iycr2014 ) and the exhibition Les 1001 facettes de la cristallographie of the University of Strasbourg (http://jardin-sciences.unistra.fr/annees-internationales/cristallographie-2014/ ) basically explained theoretical and applied aspects of crystallography and their contribution to other scientific disciplines; Living with crystals (Slovenian Museum of Natural History; http://www.pms-lj.si/juliana/en/701 ) and Exhibición especial de cristales y estructuras (https://sites.google.com/site/museotorresdelallosa/ano-internacional-de-la-cristalografia ) showed crystallography from the mineral world. Interestingly, some exhibitions such as L'enigma Escher (http://www.palazzomagnani.it/2013/07/lenigma-escher ) and Entre art et sciences: le corail en images, de l'animal au cristal (Centre Scientifique de Monaco; http://www.centrescientifique.mc/fr/ ) focused on the relationship between crystallography and art. Some exhibits preferred to focus specifically on conveying the significance of X-ray diffraction. In this category we find The two Braggs (http://www.amg122.com/twobraggs/ ), which reviewed the main achievements of William Laurence Bragg; Lattices and invisible rays (http://www.ub.lu.se/en/on-lattices-and-invisible-rays ), which focused on the discoveries of Röntgen, Laue and the Braggs; and Guided exhibition of crystals and X-ray diffraction equipment (http://www.coordinv.ciens.ucv.ve/jornadas/actividades/expcart.php ), which paid attention to different X-ray equipment. There were other exhibitions that aimed to teach how to grow crystals and explain their applications. The Crystal nano-camp (http://www.iycr2014.org/events/exhibitions/crystal-nano-camp ) falls into this category. Finally, there is another type of exhibition, such as Crystallography in everyday life (http://www.science.org.au/crystallography-everyday-life-travelling-photo-exhibition ), whose main aim was to illustrate the multiple applications of crystallography.
Whereas the majority of these exhibitions will be displayed in few locations, sometimes in only one museum, CRISTALES aims to reach the maximum number of young people throughout the world, having the following main objectives:
(1) To increase awareness of the importance of crystallography and its role in everyday life in modern society.
(2) To inspire young people and encourage citizen participation in the scientific process through activities associated with the exhibition or independently.
(3) To promote education and research in crystallography and its links with other scientific disciplines.
(4) To promote IYCr2104 and reflect on scientific knowledge and the role of science in our society.
The ultimate goal is for the posters to find a place in people's homes and, to this end, we have designed CRISTALES with three main criteria: attractive, modern and inexpensive.
The exhibition CRISTALES aims to convey a fresh insight into crystallography by placing an emphasis on the most appealing aspects and the most important contributions of crystallography to society, including new materials, solar energy, drug research, electronic materials, cosmetics and the design of new chemicals to improve industrial processes in various fields (http://www.iycr2014.org/__data/assets/pdf_file/0019/85303/Video-notes.pdf ; http://www.iycr2014.org/__data/assets/pdf_file/0010/78544/220914E.pdf ). By doing this, the public is informed directly about the applications of crystallography in everyday life through simple and accessible language, thereby avoiding any technical details that may communicate crystallography as something complex and unfriendly.
CRISTALES has been specifically developed for schools and universities and is part of a larger exhibition created for the wider public. It is composed of 14 posters with the following main features:
(1) Each poster is, in essence, an aesthetically powerful image conveying a powerful scientific message. Each image has been designed to surprise the visitors, to make them wonder what they are looking at, i.e. why crystals are related to that attractive and intriguing image in front of them.
(2) The posters send hidden messages of symmetry, texture, real and virtual space, intellectuality etc. The symmetry concept is given by the Spanish word for crystals `CRISTALES', in which the T is a letter with a mirror plane located in the centre of the word. The symmetry is further highlighted by the images, which are based on bilateral symmetry so that the right-hand side refers to the real world whilst the left-hand side is a texture inspired by some structural, physical or chemical property of crystals related to the image. This bilateral symmetry is further enhanced in such a way that the poster looks like the two pages of an open book. There is, however, one exception. In the poster related to biomineralization, the bilateral symmetry is deliberately broken in order to suggest the difference between the symmetry of life and that of the crystals.
(3) Below each image, there is some text that succinctly describes how the image is related to crystallography. The text ends with a couple of questions whose aim is to trigger the desire to learn more.
(4) Finally, below the text, there is a QR code that directs the visitor to a web page containing extended information about the posters and illustrative examples of spectacular applications of crystallography. The web page is not intended to be a comprehensive collection of information, but only a starting point to raise interest and promote the search for deeper knowledge. Instead, the web page works as an educational tool whereby teachers have access to information different from students, serving as a teaching guide. The QR code links the student to a page that tells them that this is a `proactive' exhibition and that the answers to the questions suggested in the poster can be found in books.
(5) The posters will be available for download at a resolution high enough for high-quality printing.
(6) The ultimate goal is that teachers and students take home some of the posters, thus introducing the word `crystals' into people's homes. This would be a good step forward towards popularizing crystallography.
Each poster in the exhibition conveys an independent message on the important role of crystallography in our life and our world, but these topics are grouped into five thematic categories that highlight the importance of crystallography in different aspects of life:
(1) Crystals in our body and for our health
(2) Crystals in our environment
(3) Properties of crystals
(4) Crystals and technology
(5) Crystals in our mind
There are four posters that illustrate (a) the role that crystals play in our body, (b) the importance of crystallization in the final quality of the food that we eat, (c) the fundamental information that crystallography provides in understanding how our body works, and (d) the importance of crystals and structural crystallography in the design of drugs.
The concept of crystals in our body is shown by one of the most iconic and archetypical representations of the human body: the Vitruvian man (Fig. 1). The left-hand side of the picture is a texture inspired by calcium phosphate crystals, which account for about 50% of our bones. Thus, the first shocking message of the exhibition is that we as humans are standing upright because of crystals. In addition to bones, crystals also play a central role in the composition of our teeth and in the equilibrium system located in the inner ear. Their building chemicals and polycrystalline texture are the result of an astonishing evolutionary process that uses fascinating materials and processes. On the other hand, crystals in our body are also involved in the development of some illnesses, such as kidney stones, gallstones, osteoporosis or caries. Crystallography can help prevent or alleviate these processes, for example by designing materials for prostheses and implants.
Crystals also play a crucial role in food technology. This concept is exemplified by an appealing ice cream (Fig. 2). On the left side of the picture beautiful dendritic snowflakes remind the visitor of the connection between food and crystallography: in this case, ice crystals. Edible crystals certainly include table salt and sugar, but not everybody is aware that crystallization plays an important role in the production of other types of food such as chocolate, butter and ice cream. The quality of these products, their safe production and distribution, and their taste and texture largely depend on the growth of the crystals they contain. Cocoa butter crystallizes in six different polymorphic forms, each of them possessing distinct physical properties. Among these properties is the melting point, which controls whether the chocolate melts on your tongue or in your hand, and its sticking properties, which determine if chocolate blocks can be easily extracted from the moulds during manufacture. The taste, texture and visual aspect of chocolate, which collectively define our experience when eating it, are also different. All in all, only the polymorph called `form V' is the most suitable for commercial chocolates, and crystallographers are hired by industry to produce this form and avoid any phase change during distribution.
Frozen products are a major part of our diet because freezing is a safe way of storing foods. The ice crystals forming within food products during the freezing process must have the right size and shape distribution in order to avoid deterioration of the food and preserve its quality. In this case, crystallographic knowledge and technology help in providing healthy and tasty foods.
This poster may also be used by teachers to explain the differences between crystal and glass, the two main elements illustrated, or the etymological origin of the word `crystal' from the Greek κρνσταλλος (ice, frozen water).
The relationship between crystallography and biology and medicine escapes most people. Therefore, the following poster (Fig. 3) deals with this subject by showing an animal cell, the cellular organelles inside, and the molecules (and proteins) that drive the reproduction and the functioning of cells. The left side of the picture displays the diffraction pattern of DNA collected by Rosalind Franklin and a diffraction pattern from a protein crystal, thus demonstrating how this knowledge has been obtained at the atomic and molecular scale. The message is clear and direct; a large part of our biological knowledge at the basic molecular level comes from crystallographic work. The teacher may use this poster to encourage students to study the story behind the discovery of DNA structure and to comprehend the role that biological macromolecules play in living organisms, especially in the control of biochemical processes (proteins) and genetic transmission of information (nucleic acids). They will find that crystals and crystallography are key to understanding life at the molecular level.
In fact, macromolecular crystallography makes a key contribution to our current understanding of how proteins work and how this information can be used to target specific diseases, improve biological processes and use enzymes for biotechnological processes. New therapeutic strategies based on knowledge about the structure and functions of proteins are being developed to target the active site of proteins and/or modify biochemical processes. This well established approach relies heavily on crystallographic knowledge. The role of crystallography in pharmaceutical science as a tool to study the molecular structure is presented in the next poster (Fig. 4), which depicts a pharmaceutical capsule immediately recognizable by everybody.
Crystallography is ubiquitous in the environment, being involved in several biological and mineral processes, as illustrated by two posters: the nautilus shell and Earth.
The shell of the nautilus is made of calcium carbonate crystals with a precise stacking that gives it its mechanical properties as well as the nacre (mother-of-pearl) lustre. The texture on the left side of the picture (Fig. 5) is inspired by this packing of calcium carbonate crystalline platelets. Organisms use crystals as structural elements, but also in their teeth or even as sensors, like the rows of magnetite crystals that are used as a tiny compass by some bacteria or the calcium carbonate structure in the inner ear of vertebrates that sense gravity. The multifunctional properties of these materials are generally far superior to those engineered by man and, for this reason, biomineral structures are studied with the aim of producing equivalent materials for technological uses. This discipline is called biomimetics and it mainly relies on crystallographic knowledge.
The poster showing a nautilus shell is the only one in the exhibition that completely breaks the mirror symmetry of graphics. This has been done on purpose because the morphology of biominerals is usually controlled by the biology of the organism rather than by the crystallography of the compound. This duality is currently a hot topic in science.
Crystals are all around in our environment and almost every rock on the planet is made of crystals. To convey this message, the next poster (Fig. 6) shows planet Earth from space and a petrographic cut of a crystalline rock on the left side of the picture. Beyond the historical role of mineral crystals in the development of crystallography, this poster introduces other topics including the role of mineralization in the geochemistry of the Earth's crust, and its effect on the atmosphere and the climate. Modern studies on the crystallography of minerals allow us to understand the processes involved in the global dynamics of the planet, the generation of earthquakes, and the geochemical scenario for the origin of life and its early development. The crystallographic characteristics of minerals are due to the physical and chemical conditions in which they grew and can be used to decode this information, extremely important from the geological point of view. Obviously, this decoding process relies on deep crystallographic knowledge.
The main properties of crystals that define their nature and their importance in life and technology are addressed by a set of three posters. The first poster in the series (Fig. 7) introduces the topics of periodicity and symmetry, key to the concept of crystals. The poster shows a periodic two-dimensional ceramic tiling from the Reales Alcázares of Seville (Spain) on the right-hand side of the picture and the symmetry elements defining the relationship between the different tiles in the ceramic on the left side. This type of tiling is very common in the ornamentation of Muslim architecture from the Late Middle Ages and has been frequently used to illustrate symmetry concepts in crystallography because all the symmetry operations and groups are present and the patterns are very appealing. The selected pattern displays inversion centres, rotation axes, mirror planes and glide planes, making it well suited to introduce all these concepts. More than one unit cell is included in the pattern to also make it appropriate for the discussion of translational symmetry, the unit cell and the asymmetric unit.
Two other properties of crystals are fundamental in order to get a complete view of the role of crystals in our world: polymorphism and chirality. Polymorphism, the ability of a compound to crystallize in different crystal structures, is introduced by a poster showing a crystal on the right-hand side and the structure of graphite on the left (Fig. 8). This is a very illustrative example of polymorphism because the properties of diamond and graphite are very different and well known to the public. At the same time, the technological applications of carbon nanotubes, fullerenes and graphene allow for a more in-depth discussion about the relationship between structure and property. This poster can be used to introduce other major topics such as the importance of polymorphism for the chemical and pharmaceutical industry, crystal defects (like the origin of colour in diamonds), and how crystal quality and the presence of impurities or other crystal defects has a deep impact on the properties and value of crystals.
Although chirality, the ability of a given molecule or a given crystal to display either a left-handed or a right-handed configuration, is itself a molecular rather than crystallographic concept, its practical importance and relation to symmetry more than justifies devoting one of the posters to this concept. Furthermore, the methods of chiral separation by crystallization that are currently a hot topic in crystallization science make them an excellent subject for the exhibition. The poster shows a real hand as seen in everyday life and another hand with the structure of limonene, a nice example of chirality because one of the enantiomorphs produces the aroma of orange and the other of lemon. This fact is illustrated by the orange and yellow spheres (Fig. 9). Other possible examples of the effects of chirality on the chemical properties of compounds such as the case of thalidomide were disregarded in order to avoid drama and maintain the positive message of the exhibition. Other important topics introduced by the poster are the selective nature of life when producing proteins or nucleic acids. This concept is particularly well suited because macromolecular structure is also addressed by the exhibition, which establishes links between the pieces of knowledge acquired from different posters.
Technology provides an excellent opportunity to introduce the role of crystals in our daily life because of the general positive perception of technology and the widespread use of crystalline materials in different technological fields. Electronics is a very clear example of this. Virtually all aspects of our current world rely on the use of electronic devices that would not work without semiconductor crystals. The operation of silicon microcircuits depends on the electronic properties of crystalline semiconductors. Some features of the crystal lattice, such as the presence of defects, are extremely detrimental for their use, while others, like controlled distributions of impurities, are required to optimize and tune their properties.
However, it is not only semiconductors where crystals play a central role in technology. The construction of electronic watches that pace the operation of electronic circuits as well as a number of different transducers (the best known probably being microphones) is made both possible and very cheap by piezoelectricity. A large number of other transducers and actuators require or benefit from the physical properties of crystals, which allow electronics to interact with the real world. The poster in Fig. 10 illustrates this fact using an electric guitar, for the younger public. In general, older people are more aware of the operation principles of electronics because most of these technologies have emerged or developed during their lifetime, so it is more likely that they have been exposed to information on their operation at a popular level. The latest trends of continuous miniaturization and the increase in software complexity have shifted the focus to software, operating systems and applications, making younger people less aware about the crystals inside their appliances. Videogames were selected at first for this reason, but the rights to show game characters were denied by the two companies of the sector that we approached.
Beyond electronics, crystals play a central role in the fields of biomineralization, nanotechnology and biotechnology. Two posters of the exhibition are devoted to these topics. Biomineralization and biotechnology are introduced by an egg that, on the left-hand side, depicts the amazing design of the eggshell, evolved over millions of years to be the perfect container for biological materials because of its mechanical resistance and antibacterial properties (Fig. 11). The eggshells of birds are made of calcite crystals self-arranged by crystal growth. The crystallographic direction of the crystals and the overall texture of the polycrystals are crystallographically controlled. These highly efficient materials are currently inspiring and showing scientists and engineers new ways to tailor materials for specific technological applications.
The poster of the butterfly (Fig. 12) introduces the topic of photonic crystals and other nano- and microscale periodic arrangements that are crucial to technology because of the periodic arrangement of nanostructures. The fact that some of the deep colours of butterflies are due to the scattering and interference of light offers an excellent opportunity to explain the basic concepts behind diffraction and the technological implications of this fundamental process. With this type of crystal made of non-molecular units it was decided to convey the idea that crystallography is not restricted to studying molecules. The huge success of structural crystallography during the past century has somehow overshadowed crystallography as an independent scientific field. In this exhibition a great effort is made to highlight the fact that crystallography is not a branch of chemistry but an independent field contributing with knowledge, expertise and methods to chemistry and to a number of other disciplines.
The last poster in this group (Fig. 13) is devoted to crystals for energy technologies. The poster shows a gasoline pump and, seen through crystallography, a typical zeolite crystal structure. Different types of crystals are used in the energy industry because of their physical properties. Notable examples include the one illustrated, zeolites, which are used in the efficient production of gasoline as well as for water purification, silicon for solar energy and materials for energy storage, and energetically efficient electronics. Crystalline materials are also used, typically because of their surface properties, in the remediation of the pollution caused by the production and use of energy. The continuous improvement of the properties of crystalline materials for the energy industry ensures a more efficient and responsible use of resources.
The last poster of the exhibition (Fig. 14) deals with a subject that does not appear in most exhibitions on crystals/crystallography but that we consider of enormous interest for the general public and therefore very important for increasing society's awareness of crystallography. It deals not with technology but with the mind and culture. It has been shown that human fascination for crystals is so deeply rooted in our brains as to shape our perception of straightness and order, such as the geometric arrangements of objects (García-Ruiz, 2015). This fascination provoked by external order increased following the development of the theory of crystals as made of ordered repetition of small units of matter, the molécules intégrantes, that pile to fill the entire volume (Haüy, 1784). It was shown how the beauty of the external order, the morphology, derives from the ordered arrangement of the internal structure of crystalline matter. Since then, after the transposition of this idea from academic science to popular culture, crystals have evoked not only fascination and mystique, as they had before, but also concepts such as purity, transparency, beauty, equilibrium, rationality, power etc. Thus, the new idea of the crystal as ordered matter developed during the nineteenth century has permeated culture beyond science to impact all arts and natural philosophy. Although the neurological mechanisms by which crystals have configured the intellectual structure of the brain and its evolution throughout history are currently unknown and will probably remain speculative, it is without doubt that the idea of the crystal has influenced art in all its forms.
Out of all the art forms we could have chosen for this poster, that of dance is probably the most unexpected that the spectator would relate with crystals. However, it can be demonstrated that the work of several choreographers, especially Laban, has explicitly shown how crystallography has influenced not only the style but also the language of dancing (Dörr, 2008). The poster shows a dancer bowing to display her black tutu perpendicular to the glance of the visitor. The right half is the real image of the tutu, while the left part features a purist style painting characteristic of crystal-inspired art. For the left `textured' part of the image we considered using the paintings Mademoiselles de Avignon by Picasso or Galatea of the spheres or Dali naked in ecstasy before five regular bodies, which are academically more relevant to the subject addressed in this poster, but we were unable to buy the right to use copies of these pictures. The final version uses a Mondrian-like view that is also beautiful, relevant and appealing.
We have created a web site, http://cristales2014.org , devoted to the CRISTALES exhibition. On this web site there are 14 web pages corresponding to each of the posters of the exhibition described above. The QR codes of the posters link the visitors and students to the corresponding web pages, where they will find additional information and links to other pages related to the specific topic of the poster. Moreover, the web site http://cristales2014.org contains additional information that teachers and students can use. As described above, this exhibition is part of a larger one including other posters and installations, namely the following:
(1) A set of 14 additional posters on the topics of the exhibition but closer to conventional exhibition posters, i.e. including longer texts and additional figures. These posters will be displayed in larger exhibitions by organizations that can afford transport costs and larger installations. Low-resolution versions of these additional posters are also available on the web site, along with explanatory texts (about two to four pages) on the subject of each of them.
(2) A set of six interactive installations also intended for larger institutional exhibitions has been developed for the exhibition. They introduce the following:
(a) Crystal units, crystal packing and crystal growth can be explored with a few hundred cardboard cubic boxes that can be used to build cubic crystals with different morphologies and to do hands-on demonstrations of crystal growth (http://cristales2014.org/?page_id=1208 ).
(b) Periodicity, symmetry and order are demonstrated using a 3 × 3 × 3 m model of the NaCl crystal lattice made of hanging plastic balls. The visitors can walk around the structure looking at the periodic symmetric structure. Under the supervision of teachers, students can even walk `inside the crystal', to see crystal planes and crystal directions and to experience symmetry, homogeneity and anisotropy (http://cristales2014.org/?page_id=1211 ).
(c) The widespread presence of crystals in our daily life is taught by using an interactive screen that shows the terrace of a restaurant with some people just having fun. When the visitor touches the screen at any point, a pop-up window shows them the crystals present at that point. This application can also be used from the web page (http://cristales2014.org/?page_id=1214 ).
(d) Periodic tessellations, symmetry and periodicity are explained with a set of several thousand plastic tiles that allows the visitor to build all the plane lattices, crystalline, quasicrystalline and amorphous packing, and a large number of symmetric patterns with different symmetry and unit cells. These concepts and a number of suggested hands-on experiments are printed on panels next to each of the three tables making up this installation (http://cristales2014.org/?page_id=1218 ).
(e) Diffraction by periodic objects is demonstrated using a laser diffraction table equipped with two lasers (green and red) and five slides (with two to four patterns each) to test the more relevant concepts involved in diffraction by crystals. The patterns and instructions on how to use them to do hands-on experiments are printed on the table (http://cristales2014.org/?page_id=1221 ).
(f) The importance of crystals and crystallography for health sciences is highlighted by an installation comprising a sculpture of a transparent hexagonal crystal made of plastic, which is filled with pharmaceuticals. The sculpture is on a table and is surrounded by three screens continuously displaying three slide sequences with (1) a presentation on crystallography and the pharmaceutical industry, (2) crystal structures of pharmaceutical compounds, and (3) microscopic views of crystals made of pharmaceutical compounds (http://cristales2014.org/?page_id=1224 ).
All these materials and apps are available for teachers and students. In addition, teachers also have access to a specific web page we have created to aid them with some ideas, activities and material on how to use the exhibition in the classroom.
The aim of the authors and the producer is to bring the exhibition to the maximum number of schools and universities. Therefore, CRISTALES will be available for download at the web site http://cristales.trianatech.com/?page_id=1764 at a resolution high enough for high-quality printing. This will ensure that any educational institution in the world can download the exhibition to freely print and exhibit it, and to use the web site. Two versions are currently available, namely Spanish–English and English–French, and a Spanish–French version will also be produced. Those colleagues and institutions interested in editing the exhibition in other languages, please contact the corresponding author. We plan also to print multiple high-quality copies of the 14 posters of the exhibition that will be mailed within an ad hoc designed poster tube at low cost. Finally, a guidebook of the exhibition has been edited (Cristales: un Mundo por Descubrir/a World to Discover, 2015).
We acknowledge the support of the Fundación Descubre, the Spanish Foundation for Science and Technology (FECYT), and Triana Science and Technology. Special thanks to Martha Santana Ibañez for continuous support and for helping with documentation and legal aspects, and to Teresa Cruz for continuous support. JMGR and FO wrote the texts and selected the scientific content, while CVE, AGC and Josefina Perles (Universidad Autónoma de Madrid) conducted the search for documentation. LAGR is in charge of updating the web content. Production: Triana Science and Technology, Maquetas Luca de Tena. Design: Todomuta Studio. Printing: Exclama Communication. Webmaster: Andrés Garcia-Fernandez. Photography: Javier Trueba/Madrid Scientific Films, Hector Garrido, bertys3D/Fotolia, unpict/Fotolia, khunaspix/Fotolia, nanettegrebe/Fotolia. Direction: Juan Manuel García-Ruiz.
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